Imagine you’re walking down a second floor hallway of St. Mary’s Academy, the only all girls high school remaining in Oregon. You’ve just turned left from Sophomore Hall, where you had to travel past the classrooms designated for math and history by tripping over 167 other girls who are sprawled across the blue carpeting, and now you’ve crossed into Freshmen territory. Luckily you don’t have to worry about accidentally falling onto one of them, since they would never sit on the tiled floor (much too cold!), but somehow they still manage to get under your feet anyway.
You push the itty bitty girls aside, making for the stairwell at the other side of this hall, when you pass the large, engraved double doors that lead into the chapel. Suddenly, you hear piano music lilting through the wood of the doors.
But instead of the Catholic hymns expected, you hear: dah-dah-dah dun dahdah dun dahdah! and immediately recognize the tune as The Imperial March pierces through the hallway at full volume.
“Must be Margo,” you chuckle to yourself.
Margo Gilbert has a seemingly undeniable urge to play at least the opening lines of that song whenever she sees a piano in a room. If she knows one exists in a room, even if the doors are closed, she’ll still go in and play Darth Vader’s theme, then exit the space as if nothing usual happened. And Margo definitely doesn’t tickle the ivories when she plays the theme. No, to her it deserves the same volume as Holst’s Mars. If there is no soundproofing in the room, the theme echoes through the entire floor of the school.
Though Margo has taken formal piano lessons, she says she mostly learned this song, and almost all the others she loves to play by ear. “I have perfect pitch,” she explains. “I think one in 10,000 people have it. Actually, more kids are born with it now. Well… it’s pretty rare. But it basically means that if someone sits down and plays a piece – whenever I hear a sound, I can tell you if it’s an A flat, or a B flat, or whatever. It’s completely useless, but it helps me cheat.”
Margo’s sitting at a piano in our mutual friend Amadea’s house. “Yes, Amadea has a piano in her house,” Amadea quips, rolling her eyes. “In a house with siblings named Johann, Amadea, and Sebastian, you have to have a piano.”
The whole room chuckles, and Margo drifts her skeletal white fingers along the keys, the piano crooning out a haunting melody.
“What’s that?”
“Theme from Corpse Bride,” Margo responds. “It’s supposed to be a duet though.”
“Hey, do you know the song from Princess Mononoke?”
“Um…” she pauses. “How does it go?”
I sing the first few lines of the song: In the moonlight, I felt your heart quiver like a bowstring’s pulse…
Margo dazzles us all by playing back exactly what I’ve sung.
“Wait, you do know that?”
“No,” she responds.
“Wait! Can you play anything I sing?”
“Of course,” Margo laughs loudly. She has one of those fun laughs, stuttering a little bit: ahaha haha hahaha.
We proceed to test out her claim by singing random pieces having her play them back, from Memory to I Just Can’t Wait to Be King to Ice Ice Baby.
“Oi, my fellow compatriots, I never this was such a great party trick!”